City Bolts

Gallery Blurb:
Signatures Bolts are a series of hardware that gives the power to change a nut and bolt city landscape to the people who inhabit that area. The screws and bolts have specialized heads and associated hardware are fashioned after various brands and boutiques around Chicago, which promote hip-hop and provide opportunities for Chicago youth to express themselves.

Gallery Blurb:
Hip-hop questions the validity of ideas. What makes a brand special? Is it the product, or is it the act of walking into a store and purchasing said product that gives us validation from the stores? High Commodities are a series of nails whose heads are the symbols of two popular luxury brands: Gucci and Louis Vuitton. Knock-offs of these chosen brands are the most commonly found amongst stores in the Englewood neighborhood. By placing the symbol of a luxury brand on an object as commoditized as a nail and striking it with a hammer, the piece questions the validity and preciousness of a symbol that for some, holds so much value.

Table for Two

This project was a reaction to the ill placement of infrastructure within the Englewood Neighborhood, specifically bike racks. These rack are placed as a necessity for new construction
LEED certifications, not to serve the community. Many of them are place in front of vacant lots, and various other places where one would not ever leave their bike. If this infrastructure fails to serve the community as is, how can it be altered to serve the community. I remembered this statement from KRS-1

We said I am. I have no credentials, no validation, but here’s the difference from me and you. When someone says “what is your name you say: my name is Bob. Bob who? Bob Barker” When you ask a Hip-hopper what is there name you get “Yo, I’m Dj Bobski from 125th” The difference in psychology is this. Yo man, I’m just some Bob Barker. That person is like that because they are connected… In other words, their well-being is connected to something outside of themselves. You get this low self-esteem when your well being is connected to something outside of yourself. This is the beginning of poverty right here: I want, meaning that I don’t have. What I want is more valuable than what I already have. The mainstream said “everything that you have has no value: your clothes, your furniture, everything, has no value. The only way that you have value is if you come through us, mainstream institutions, and on top of that, were not letting you in. So, look at what were up against. We’re not letting you in, but this is the only place where you can be validated. So were sitting outside ready to die, but we didn’t. We said because you’re not letting us in, cool. Keep everything you got. Were going to create our own thing over here and your not getting in this. This here we’re creating. This is the attitude in 1972.

I tried to embody this in my Table for Two. A table is something we take for granted. in a public space, it creates an opportunity for gathering and sharing. This is something that is missing from this neighborhood's infrastructure. This would not just be an ordinary table though. It would be a grand table. Though it is made from cast concrete, I hoped to achieve a marble aesthetic.


Here is my Gallery blurb about it:
Scattered around the Englewood neighborhood are a few public bike racks. There are not enough to serve the community and are often placed impractically, giving them little value. What can the bike rack be when it is more than just a bike rack? Table for Two is a cast concrete table that fits securely on the bike racks, offering an outdoor gathering space.